
Welcome back to The Juth Letter...
...where I pause for a studio tea break and share what’s been on my mind about mixing and creativity. ☕️
The Bass That Disappeared
There’s a quiet trap almost every mixer falls into at some point.
It doesn’t come from lack of skill or carelessness. It usually comes from the opposite. We care too much, we’re eager to grow, and new tools make us feel like progress is happening simply because we’re using them.
My brother Fredrik—one of my favorite bass players—once told me a story that captures this perfectly.
He plays a Fender P-Bass strung with vintage flatwounds. It’s the kind of instrument that speaks for itself: thick, woody, and alive. The sort of tone that feels finished before you ever think of adding a plugin.
One day, he recorded a bass part for a friend’s track. He knew exactly what it needed: that P-Bass, played with a little grit. Nothing more.
Weeks later, the mix came back. He pressed play, and for a moment he froze. The bass sounded bloated, strange, almost unfamiliar. For a second, he even wondered if they’d re-recorded it with someone else.
But no—it was the same performance. Just filtered through a long chain of plugins the mix engineer had been experimenting with.
And in the process of chasing a “better” sound, the very thing that made the bass sound cool had disappeared.

The Lesson Beneath the Sound
I get it. I’ve been there too.
When you buy a new plugin or learn a fresh trick from YouTube, there’s this quiet pressure to put it to use. It feels wrong to leave something untouched, even when the track doesn’t need anything at all.
But here’s the deeper truth: sometimes the best move you can make is none.
This doesn’t just apply to mixing. It applies to life. We tend to mistake action for progress and feel safer adding, tweaking, and stacking more on top. But often, the essence of what’s already there is what really matters.
And the more we tweak things, the easier it is to lose touch with that essence.
Mixing is full of these moments. Someone records a nylon-string guitar—soft, warm, and full of character. It barely needs anything. Maybe the tiniest lift at the top end. But then the engineer adds compression, EQ, a transient shaper, even a stereo widener. And just like that, all that natural richness disappears.
Or a vocal that carries intimacy and emotion gets processed until it feels generic—because it seemed too “simple” to leave it as it was.

Bringing It Back to You
So next time you reach for another plugin, pause. Ask yourself:
Is this really helping the music—or is it just helping me feel useful?
That one question has a way of bringing everything back into focus.
Because at the end of the day, confidence isn’t built through endless action. It’s built through the courage to decide—and sometimes, to do nothing at all.
☕️ Thanks for joining me for this little tea break. If the story struck a chord, I’d love to hear from you: What’s one track you wish you’d left more alone?
Until next week,
Thomas
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